Con-trails (Executive), mixed media, 2026. 30x24in

A menacing figure sits unflinching — redacted text on one side, hands with tv remotes on the other. Void of personal character, concerned only with self-preservation and enrichment at any cost. Epstein looms as a ghostly spectre of past deeds above. His world is messy with past ties that bind, so he turns himself into a minute-by-minute deflection machine. Past deeds materialize into something atrocious, hellbent on a gargantuan costly distraction.

Supreme Cult (Judicial), mixed media, 2026. 24x36in

Sitting in customary repose, the Judiciary postures toward stately, distinguished legal authority. Instead, the lopsided court reads as theocratic cult — precedent and constitutional law bent to serve it. Allegiance runs only to the well-connected and well-funded. Public concern and protection arrive as afterthoughts, if they arrive at all. A void at their feet distorts the flag.

Private Piggies (Legislative), mixed media, 2026. 39x30in

An ancient legislative behemoth walks through a landscape beneath a nuclear sun. Its headdress revealing the internal anatomy of how democratic influence is co-opted and digested by corporate lobby. Untouchable, unavailable, untethered from public concern, legislators calcify into the building itself — architecture consuming private dollars in exchange for loyalty to the corporate and billionaire class. Luxury materializes through an umbilical tie.

Financial (New Babel) — mixed media, 2026. 48x36in

After Bruegel’s Tower of Babel, rebuilt as billionaire capitalism caught inside the Calvinist capture loop. Winged billionaire-angels guard the structure from within a hellish landscape as John Calvin hovers above, blessing the excess and offering a sacrificial public lamb to a digestive Leviathan-Trump beast. Clergy move through the grounds blessing the structures; cabinet members manage and collude with the horror beneath.